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|CHINA: COALPORT | CROWN DERBY | ROYAL DOULTON FIGURES | ROYAL DOULTON JUGS | WEDGWOOD | TABLEWARE|
|STEPHEN SMITH - TERRY HALLORAN CHINA | ROYAL WORCESTER|
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|ELLIOT HALL ENAMELS | OKRA GLASS | CANE FURNITURE | OAK FURNITURE | LLOYD LOOM FURNITURE|
|ART GALLERY: GARY HODGES | LAURENCE LLEWELYN-BOWEN | SHERREE VALENTINE DAINES | STEVEN TOWNSEND|
Gary's prints have a huge following and are very collectable. If you are new to his work, see the bottom of this page for a biography.
Framed Prints in Stock
|Joy (baby elephants)|
ABOUT GARY HODGES...
Born in 1954, Gary has had a deep love for nature since childhood. In 1979 he began applying his keen sense of observation to his drawings and is now Britain's leading wildlife pencil artist. He gave up his day job around 1989 to concentrate on his drawings and, shortly afterwards, began to publish his limited edition prints himself. By retaining control of every stage, from drawing, to publishing, to selling, Gary has never had to compromise on the very high standards he has set himself. He is a genuinely sincere and generous human being who cares quietly, but passionately, about the conservation of the animals he draws. Through his drawings he has already raised his first quarter of a million pounds for charity and is well on his way towards the second quarter million - a phenomenal achievement for one individual in such a short time.
Gary's drawings stand out from the crowd because he combines a remarkable technical ability with a deep feeling for the subject and a sensitive understanding of its individual character. His sense of design and composition, often focussing on only a part of the animal, always results in a striking image that demands the viewer's attention and thought. Others have tried to achieve the same effect in pencil, but the result often looks ordinary by comparison.
Gary may use very many different grades of pencil in a drawing. Each grade is put to good effect as he painstakingly builds up tones and textures, working on small areas at a time. The range of textures he creates - tough hide, fluffy fur, preened feathers, dry scales - is extraordinary. Often there is a touch of humour - the big paw or menacing tooth - but in the end it is the eye that fixes itself upon the viewer. It is here that Gary begins each drawing.
His original drawings now regularly appear in Christie's Wildlife Art auctions - "Supreme" sold for £16,215 in 1998 and "Mother's Love" for £10,575 (double the estimate) in May 2000.
Gary's first two limited edition prints were published by Greenpeace in 1987. He began publishing prints himself in 1990, having been turned down by fine art publishers because "black and white" prints "wouldn't sell". At first he sold, slowly but steadily, through exhibitions and mail order catalogues of charities. An edition of 850 prints might take two or three years to sell out. Then, as his talents began to be more widely appreciated, galleries began to take his prints in greater numbers. Following his hugely successful exhibition and auction at the Mall Galleries in 1994, demand for his work escalated and he began to sell out his editions within a matter of weeks. A secondary market was created and prices of some early prints began to rise sharply in value. Now, such is the popularity of his work, he has had to increase edition sizes, but still has to cut back on the pre-publication orders from galleries ("Plea for the Rainforest" was over-subscribed by 350 copies even though the edition was increased to 1500). Popular subjects, like the recent "Friendship", disappear from galleries at the release price within weeks.
Many of the early prints now command huge premiums on the secondary market, not so much because they are much scarcer but because they are widely distributed, sitting in homes around the world, and rarely come up for sale.